transport
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Bus Regulation: The Musical (Merseyside)
15 Jul 2023
The Black-E, Liverpool -
Bus Regulation: The Musical (Strathclyde)
28 Jan 2023
Platform, Glasgow -
Bus Regulation: The Musical (Merseyside)
The final part of Harrison’s Bus Regulation: The Musical Trilogy – inspired by the 1980s hit musical ‘Starlight Express’ – re-enacts the history of public transport provision in the Merseyside region from the post-war period to the present day… on roller skates!
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Bus Regulation: The Musical (Strathclyde)
The second iteration of Harrison’s Bus Regulation: The Musical – inspired by the 1980s hit musical ‘Starlight Express’ – re-enacts the history of public transport provision in the Strathclyde region from the post-war period to the present day… on roller skates!
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Tonnes of carbon produced by the personal transportation of a ‘professional artist’
This graph was first compiled as the central illustration of Harrison’s 2019 book The Glasgow Effect: A Tale of Class, Capitalism & Carbon Footprint to illustrate the artist’s increasing amount of travel in the years running up to her 2016 project and the dramatic impact it had on reducing her carbon footprint for transport. It was updated in 2020 for display at Edinburgh Art Festival.
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Artist as Active Citizen
Harrison reflects on The Glasgow Effect for this new text commissioned to launch a-n‘s year-long research project with AirSpace Gallery: Artists Make Change (May 2020 – May 2021). It is published alongside a new text by Dave Beech reflecting on the history of political art, to provoke discussion about artists’ roles in affecting social change. (Word count: 1,540)
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The Glasgow Effect: A Tale of Class, Capitalism & Carbon Footprint
On 4 November 2019, Luath Press published Harrison’s first book. Inspired by her 2016 ‘durational performance’ The Glasgow Effect – for which she refused to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for the whole calendar year – the book provides the complete context for her thinking and action. (Word count: 119,000)
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Bus Regulation: The Musical (Greater Manchester)
Inspired by the 1980s hit musical ‘Starlight Express’, this performance / event re-enacts the history of public transport provision in Greater Manchester from the post-war period to the present day… on roller skates!
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A Better Railway for Britain
Writing as founder and coordinator of Bring Back British Rail, Harrison reflects on the last seven years’ campaigning for the public ownership of our railways in this preface for the campaign’s first report, launched in the Houses of Parliament in London on 13 October 2016. (Word count: 663)
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Bring Back British Rail
As founder of the Bring Back British Rail campaign, Harrison was invited to write about the public ownership of our railways for the Green Party of England & Wales’s The New Home Front II (p.41-42) in 2012, which looks to the post-war period for lessons on how to tackle climate change now. (Word count: 709)
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Bring Back British Rail
In 2009, Harrison – the self-professed ‘Che Guevara of trainspotters’ – founded the national Bring Back British Rail campaign to popularise the idea of re-nationalising our public transport system. Now with more than 150,000 supporters across Facebook, Twitter, Riseup and its online petitions, Harrison continues to coordinate the campaign with the help of a small network of volunteers around the UK.
Campaign website -
Gold Card Adventures
For her solo exhibition at Piccadilly Circus Underground Station in 2005, Harrison created a series of 20 large format posters to visualise the data collected during her Gold Card Adventures project, for which she recorded the total distance of every journey she made on London Transport in a year (9,236 kilometres). These posters were used to mark the stages of this cumulative journey by featuring a series of imitation postcards from different global destinations at progressive further distances away from London.
Project website -
Statistics Are Hot Air
This colour-coded vinyl bar chart visualises the exact quantity of gaseous emissions Harrison produced daily throughout 2003. Originally created in 2003 as a studio based wall chart exploring the notion of ‘artistic output’, for which Harrison added one bar to the chart each day. In 2007 the completed chart was installed as semi-permanent installation on glass at Birmingham Moor Street Station as part the New Art Birmingham exhibition Ariston. There is also an online version of the chart.