2010
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The Beauty of Diagrams
9 Dec 2010
BBC Four (Episode 4) -
This is Central Station
3 Dec 2010
Central Station (p.148-149) -
Transmission: Glasgow to London
For the first of 4 LIVE Broadcasts made over the course of a year (December 2010 – November 2011), Harrison gives a rambling exploration of ethical compromise and political contradiction. Questioning how a person’s moral outlook and priorities may shift with age, she offers an insight into the life of a home-owning thirty-something in devolved Scotland. (Duration: 18:00)
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Funding: One Alternative
1 Dec 2010
Art Monthly (Issue 342 p.18) -
Upgrade
17 Nov 2010
One Thoresby Street, Nottingham -
The History of Financial Crises
7 Nov 2010
Market Gallery, Glasgow -
Art & The Economy
6 Nov 2010
Market Gallery, Glasgow -
Scratch Cards
Harrison made this ‘interactive’ work Scratch Cards as one of the outcomes of the Digital Media Labs residency in Hull from 24-30 October 2010, at which ten artists were encouraged to develop creative applications for touch screen technologies. Scratch Cards was created using Processing with production assistance from Ben Dalton.
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Artist’s Talk
25 Oct 2010
Northumbria University, Newcastle upon Tyne -
Recessional Aesthetics
17 Oct 2010
James Taylor Gallery, London -
In Production
12 Oct 2010
Nottingham Contemporary -
One Minute Manifesto
9 Oct 2010
AHM Symposium, University of Glasgow -
Definite Article
6 Aug 2010
Künstlerhaus Bethanien, Berlin (Germany) -
Artist’s Talk
29 Jul 2010
Monash University, Melbourne (Australia) -
Artist’s Talk
23 Jul 2010
Swinburne University, Melbourne (Australia) -
Master of Fine Art
1 Jul 2010
(distinction), Glasgow School of Art -
Artists’ Lottery Syndicate
On 1 April 2010, Harrison launched the Artists’ Lottery Syndicate forming a forty-strong collective of UK based artists joining forces to play The National Lottery over the course of a year, with the hope of hitting the jackpot. The Syndicate ran from 1 July 2010 – 1 July 2011 and was a fun and social group activity, which operated as a gentle critique of artists’ relationships to the economy, as well as a potential money-maker.
Project website -
The History of Revolution: Ellie Harrison’s Fireworks Display
Conceived as the sister work to The History of Financial Crises, this performance spectacle is a one-woman attempt to re-enact a chronology of ‘the history of revolution’ over the course of the last 360 years via the medium of pyrotechnics.
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Press Release
Devised specifically for the context of the ‘degree show’. For the final three weeks of her Master of Fine Art course at Glasgow School of Art, Harrison made a conscious decision not to make any ‘work’, in favour of instead transforming her studio into a ‘press office’ and attempting to directly solicit the media coverage which many hope will come as a result of this much anticipated show.