Work
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Ethics: Extremism & Compromise
A talk by Ellie Harrison exploring the relationship between her life choices and her work as an artist for Artquest’s Practice 360° programme at Camden Arts Centre in London.
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Dark Days
An event by Ellie Harrison offering one hundred participants the unique opportunity to stay the night in the great hall of the Gallery of Modern Art in Glasgow as part of a pop-up community.
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Transmediale: Capture All
Harrison discusses her strategies for monitoring and redressing the work-life balance, as part of the Time & Motion panel at Transmediale 2015: Capture All.
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How the ‘Them’ became ‘Us’
In this short text, written for ShareAction’s Listen to USS! divestment campaign in 2014, Harrison exposes how compromises can so easily occur when one grows-up and gets a ‘proper job‘. (Word count: 998)
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Department for Business, Innovation & Skills
Talk by Ellie Harrison to students at Funen Art Academy in Denmark, presenting the ideas behind the Department for Business, Innovation & Skills – a title borrowed from the UK Government for her studio during her six-week residency at the academy.
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The Global Race
The Global Race is an absurd vision of an Olympic games of the future, in which the brilliance of human ‘innovation‘ means we no longer need to break a sweat! At an athletics track in central Berlin, a group of ‘elite athletes’ and members of the public competed in a series of races on Segways.
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In conversation with Ewa Jasiewicz
Ellie Harrison in conversation with journalist and activist Ewa Jasiewicz at Talbot Rice Gallery as part of Edinburgh Art Festival 2014, discussing her referendum-themed installation / event After the Revolution, Who Will Clean Up the Mess? and the relationship between art, activism and social change.
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After the Revolution, Who Will Clean Up the Mess?
An installation / event by Ellie Harrison completely contingent on the result of the Referendum on Scottish Independence on 18 September 2014. The four large confetti cannons installed inside Talbot Rice’s Georgian Gallery would only be detonated in the event of a Yes vote.
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The Art School Handbook
In this essay, written in 2014 during her first year teaching at Duncan of Jordanstone College of Art & Design, Harrison surveys the troubled global landscape of higher education and sketches out her vision for The Art School of the 21st Century. (Word count: 5,668)
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Transition Community of One
Devised 2014 in response to Glasgow Open House Art Festival, this special event at Harrison’s flat in Glasgow aimed to expose the paradox at the heart of her lifestyle and challenge her actually existing ‘socialism in one person’. Monthly screenings continued in 2016 as part of The Glasgow Effect.
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Ellie & Oliver’s Long Distance Relationship
For Glasgow Open House 2014, Harrison & her former flatmate Oliver Braid reunited to present two special editions of their popular radio show, as part of three interlinked projects taking place over two weekends, across both their new residences in the west and east of the city.
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Time & Motion: Redefining Working Life
Harrison explores her growing awareness of her own labour conditions and changing relationship to work in this talk at the Time & Motion symposium at the Royal College of Art in March 2014.
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Say No to Tesco
In 2013, Harrison led the Say No to Tesco campaign, which began as a protest against the proliferation of small supermarkets in Glasgow and concluded in the group presenting a petition to the Scottish Parliament in 2014. Some of the campaign’s concerns were considered in the Community Empowerment (Scotland) Bill later in 2014, and in 2016, as part of The Glasgow Effect, Harrison helped found Glasgow Pound Working Group to explore possibilities for using a community currency to actively support Glasgow’s small businesses and build a stronger local economy.
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Power For The People!
In this comment piece for The Ecologist, Harrison details how her concerns about climate change led her to start campaigning for the public ownership of our essential services and infrastructure with Bring Back British Rail and Power For The People. (Word count: 766)
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Work-a-thon for the Self-Employed
Harrison identifies how she gradually became more politicised as a result of her growing awareness of her own labour conditions and ‘self-exploitation‘ within the post-Fordist world of work. An edited version of this text was published in the ‘Activism‘ chapter of Playing For Time (p.205-206) in 2015. (Word count: 711)