Tag Archives: data collecting
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For Love or Money
Created in 2015 to highlight the main causes of Harrison’s breaches to her own Environmental Policy and the amount of carbon each produced, For Love or Money paved the way for The Glasgow Effect in 2016.
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Progress Report
Created in 2014 by analysing more than a decade of personal data, Progress Report reveals how, despite espousing “sustainability“, Harrison’s own lifestyle (measured in ‘work’ – no. emails sent and ‘leisure’ – no. lengths swimming) has simply been mirroring capitalism’s “growth fetish”.
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Attempt at an Inventory…
Created specially for The Hospital for Dazed Art exhibition, for which artists were asked to revisit and rescue old or discarded artworks, Attempt at an Inventory… is Harrison’s attempt to take account of all the creative production she was responsible for in her formative years, exhibited alongside her first known self-portrait.
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Transactions
Developed to accompany The History of Financial Crises installation – for the duration of exhibition, Harrison sent an SMS message to the phone installed in the gallery every time she made an economic transaction. The Coke can dances with joy every time a message is received.
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I’ve Been Watching You
For three-and-a-half years Harrison was ‘undercover artist-in-residence’ at Broadway Cinema in Nottingham. Assuming the role of usher, she spent her shifts getting to grips with the inner workings of the cinema and expanding her knowledge of contemporary film. After ‘coming out’ as an artist in 2007, she was asked to present her findings as one of the commissions for the launch of Digital Broadway – the cinema’s new digital arts programme alongside works by Marcus Coates, Nina Pope & Karen Guthrie and Annie Watson.
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Timelines
For almost five years Harrison documented and recorded information about nearly every aspect of her daily routine. These laborious, demanding and introverted data collecting processes grew ever more extreme until she devised the ultimate challenge for Timelines – to attempt to document everything she did, 24 hours a day, for four whole weeks (26 June – 23 July 2006).
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Daily Data Display Room
For the duration of the Day-to-Day Data exhibition at Danielle Arnaud contemporary art in London, Ellie collected information about 10 elements of her everyday routine. Each morning the results from the previous day were emailed to the gallery and used to reconfigure and adjust the 10 different objects comprising the installation. Over the course of the exhibition, the display aimed to test and visualise an experiment as to whether there was a correlation between different elements of this information.
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Tea Blog
For three years from 1 January 2006 – 31 December 2008, Harrison recorded what she was thinking about every time she had a cup of tea (or a different type of hot drink). During this period, whilst archiving a total of 1,650 thoughts in the Tea Blog, Harrison began to learn the perils of instantaneous ego-broadcasting and so made the decision to ‘quit’ data collecting.
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Daily Data Display Wall
For the duration of the Day-to-Day Data exhibition in Nottingham and Portsmouth, Harrison collected data about 20 different elements of her daily life onto Daily Data Log sheets. Each morning the Log Sheet results were emailed to the gallery and used to reconfigure the 20 different items in the installation, so that it took on a slightly different appearance each day of the exhibition.
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Gold Card Adventures
For her solo exhibition at Piccadilly Circus Underground Station in 2005, Harrison created a series of 20 large format posters to visualise the data collected during her Gold Card Adventures project, for which she recorded the total distance of every journey she made on London Transport in a year (9,236 kilometres). These posters were used to mark the stages of this cumulative journey by featuring a series of imitation postcards from different global destinations at progressive further distances away from London.
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Swear Box 2005
Throughout 2005, Harrison recorded every sentence that she uttered which contained a swear word. These sentences were uploaded to the online Swear Box at regular intervals over the course of the year, alongside a summary of the reason for the outburst. The work involved in updating the online Swear Box had a similar effect to the more traditional version of the box, in that Harrison only swore on 142 occasions the entire year which was considerably less than the 2,427 she did during her Daily Quantification Records project in 2003.
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Sneezes 2003
Throughout 2003, Ellie recorded the exact date and time of her every sneeze. For this solo exhibition at the Wallner Gallery in Nottingham, she transformed the gallery walls into a giant two-way timeline. Mini colour-coded prints representing each of the 318 sneezes were positioned around the walls to indicate the exact date and time at which they occurred.
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Trans-Atlantic Challenge
This web-based programme monitors Harrison’s progress as she strives towards achieving three momentous challenges over the course of her lifetime. For the first of these, the Trans-Atlantic Challenge, Harrison records and adds together all the lengths she swims weekly at her local pool in the hope of one day having swum the 5,400 kilometre distance from the UK to America.
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