art / activism
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Fusing art and activism
1 Dec 2022
Culture, Climate & Environmental Responsibility, Julie's Bicycle -
Artist as Active Citizen
Harrison reflects on The Glasgow Effect for this new text commissioned to launch a-n‘s year-long research project with AirSpace Gallery: Artists Make Change (May 2020 – May 2021). It is published alongside a new text by Dave Beech reflecting on the history of political art, to provoke discussion about artists’ roles in affecting social change. (Word count: 1,540)
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The Glasgow Effect: A Tale of Class, Capitalism & Carbon Footprint
On 4 November 2019, Luath Press published Harrison’s first book. Inspired by her 2016 ‘durational performance’ The Glasgow Effect – for which she refused to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for the whole calendar year – the book provides the complete context for her thinking and action. (Word count: 119,000)
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The timely return of activism
28 Jan 2017
The Herald (The Arts p.6) -
Loving the Inbox: the Artist as Bureaucrat
1 Jul 2016
ArtReview Asia (p.68-71) -
The Glasgow Effect
The Glasgow Effect was a multi-layered ‘research project‘, which took place in 2016. Its central provocation was that Harrison would refuse to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for a whole calendar year (1 January – 31 December 2016). On 8 January 2017, she gave a talk about the work at the Glasgow Film Theatre. On 4 November 2019, she published a book providing the complete context for her thinking and action.
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Sustainability in Practice
Speaking at the Culture & Sustainability event organised by Julie’s Bicycle at The Tetley in Leeds, Harrison discusses the challenges and consequences of putting ‘sustainability’ into practice; specifically: her life-long project Early Warning Signs, her Environmental Policy and how her breaches of its Transportation section led to The Glasgow Effect.
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Radical Renewable Art + Activism Fund
Initiated by Harrison in 2015, the Radical Renewable Art + Activism Fund (RRAAF) aims to be a new and autonomous funding scheme, which uses renewable energy to offer ‘no strings attached’ grants for art-activist projects in the UK.
Project website -
A Good Climate for Business
Written by Harrison for Artsadmin in response to her residency at Two Degrees festival in 2011. This text details her attempts to explore the relationship between capitalism and climate change, which led to the development of Work-a-thon for the Self-Employed and Early Warning Signs. (Word count: 2,758)
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Trajectories: How to Reconcile the Careerist Mentality with Our Impending Doom
Harrison’s 2010 thesis, published in four parts by Furtherfield, addresses the ethical implications of continuing to choose the ‘career’ of artist in the 21st Century and presents her manifesto for how best to move forward. (Word count: 8,284)