Tag Archives: solo
-
UK Weather Report
For the second of 4 LIVE Broadcasts made over the course of a year (December 2010 – November 2011), Harrison interprets the unusually cold weather experienced in the UK in December 2010. By observing the short-term impact these conditions had on retail sales in the run-up to Christmas, she raises questions about the long-term effect of capitalism on climate change. (Duration: 10:30)
-
Transmission: Glasgow to London
For the first of 4 LIVE Broadcasts made over the course of a year (December 2010 – November 2011), Harrison gives a rambling exploration of ethical compromise and political contradiction. Questioning how a person’s moral outlook and priorities may shift with age, she offers an insight into the life of a home-owning thirty-something in devolved Scotland. (Duration: 18:00)
-
The History of Financial Crises
7 Nov 2010
Market Gallery, Glasgow -
The History of Revolution: Ellie Harrison’s Fireworks Display
Conceived as the sister work to The History of Financial Crises, this performance spectacle is a one-woman attempt to re-enact a chronology of ‘the history of revolution’ over the course of the last 360 years via the medium of pyrotechnics.
-
General Election Drinking Game
An endurance performance devised by Harrison to coincide with the 2010 UK general election. Four ‘players’ represented the main political parties – each attempting to drink one shot of lager for every seat in parliament their party won, live as the results came in throughout the night.
Project website -
Vending Machine
15 Apr 2010
Glasgow Film Theatre -
Vending Machine
15 Mar 2010
Abandon Normal Devices, Lancaster -
Vending Machine
An installation for which an old vending machine is reprogrammed to release snacks only when news relating to the recession makes the headlines on the BBC News RSS feed.
-
Angel Row Jukebox
An interactive installation commissioned for the closing party of Angel Row Gallery in Nottingham. The Jukebox contained all the UK #1 hits which corresponded with the openings of 254 exhibitions held at the gallery over its lifetime. The audience were asked to punch in the code for the exhibition they first remembered visiting.
-
I’ve Been Watching You
20 Sep 2007
Filmhuis Den Haag (The Netherlands) -
I’ve Been Watching You
1 Aug 2007
Showroom, Sheffield -
I’ve Been Watching You
For three-and-a-half years Harrison was ‘undercover artist-in-residence’ at Broadway Cinema in Nottingham. Assuming the role of usher, she spent her shifts getting to grips with the inner workings of the cinema and expanding her knowledge of contemporary film. After ‘coming out’ as an artist in 2007, she was asked to present her findings as one of the commissions for the launch of Digital Broadway – the cinema’s new digital arts programme alongside works by Marcus Coates, Nina Pope & Karen Guthrie and Annie Watson.
Project website -
The Quotidian Factor
The first collaborative project between Adele Prince and Ellie Harrison was this artists’ workshop based on the popular UK TV series The Krypton Factor. The day-long workshop took place at Aspex Gallery in Portsmouth as part of the ARC programme, which accompanied the Day-to-Day Data exhibition in the gallery. The Quotidian Factor featured a series of four rounds in which participants competed in challenges designed to get them inspired by the little things in life.
Project website -
Gold Card Adventures
For her solo exhibition at Piccadilly Circus Underground Station in 2005, Harrison created a series of 20 large format posters to visualise the data collected during her Gold Card Adventures project, for which she recorded the total distance of every journey she made on London Transport in a year (9,236 kilometres). These posters were used to mark the stages of this cumulative journey by featuring a series of imitation postcards from different global destinations at progressive further distances away from London.
Project website -
Sneezes 2003
Throughout 2003, Ellie recorded the exact date and time of her every sneeze. For this solo exhibition at the Wallner Gallery in Nottingham, she transformed the gallery walls into a giant two-way timeline. Mini colour-coded prints representing each of the 318 sneezes were positioned around the walls to indicate the exact date and time at which they occurred.