Eat 22
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Food Porn: Food Aesthetics in a Digital Age
12 Mar 2026
Bristol University Press (p.1-4) ISBN 978-1529248852 -
Year-long projects with Ellie Harrison
8 Jan 2022
Neil Scott, Substack -
The Glasgow Effect: A Tale of Class, Capitalism & Carbon Footprint
On 4 November 2019, Luath Press published Harrison’s first book. Inspired by her 2016 ‘durational performance’ The Glasgow Effect – for which she refused to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for the whole calendar year – the book provides the complete context for her thinking and action. (Word count: 119,000)
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Eat Me
23 Sep 2017
Trapholt (Denmark) (p.28 & p.154-155) ISBN 978-8772690216 -
Eat Me
23 Sep 2017
Trapholt, Kolding (Denmark) -
The Art of Self-Tracking
18 Jun 2015
QS15 Exposition, San Francisco (USA) -
Playing for Time
31 Mar 2015
Oberon Books (p.177-179 & p.205-206) ISBN 978-1783191864 -
Eat 22: The Personal is Political
One decade on, Harrison reflects on her seminal 2002 project Eat 22, and examines her persistent interest in ‘consumption‘ in recent works: Vending Machine, The Other Forecast and Anti-Capitalist Aerobics. An edited version of this text was published in the ‘Food Growing‘ chapter of Playing For Time (p.177-179) in 2015. (Word count: 692)
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Notes towards Becoming a Good Citizen
16 Dec 2012
New Escapologist (Issue 8 p.17-21) -
A Guide for the Incurably Curious
12 Jul 2012
Wellcome Collection (p.76-77) ISBN 978-0957028517 -
Market Forces
31 Oct 2011
Wunderbar website -
A Brief History of Privatisation
1 Jun 2011
a-n Magazine (p.9) -
Ellie Harrison Profile
1 May 2011
Art Monthly (Issue 346 p.16-17) -
This is Central Station
3 Dec 2010
Central Station (p.148-149) -
Confessions of a Recovering Data Collector
Harrison edited the first book about her work Confessions of a Recovering Data Collector, published by Plymouth College of Art in April 2009. The book profiles twelve of her former ‘data collecting‘ projects, for which she obsessively recorded information about different aspects of her daily routine. It is introduced by artist and curator Hannah Jones and features a specially commissioned essay by Sally O’Reilly. (Word count: 5,394)
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The Fundamentals of Digital Art
19 Nov 2007
AVA Publishing (p.68-69) ISBN 978-2940373581
