Tag Archives: precarious labour
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Loving the Inbox: the Artist as Bureaucrat
1 Jul 2016
ArtReview Asia (p.68-71) -
Work-a-thon for the Self-Employed
Harrison identifies how she gradually became more politicised as a result of her growing awareness of her own labour conditions and ‘self-exploitation‘ within the post-Fordist world of work. An edited version of this text was published in the ‘Activism‘ chapter of Playing For Time (p.205-206) in 2015. (Word count: 711)
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A Good Climate for Business
Written by Harrison for Artsadmin in response to her residency at Two Degrees festival in 2011. This text details her attempts to explore the relationship between capitalism and climate change, which led to the development of Work-a-thon for the Self-Employed and Early Warning Signs. (Word count: 2,758)
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Work-a-thon for the Self-Employed
Work-a-thon for the Self-Employed is a world record classification initiated by Harrison in 2011. It aims to encourage isolated freelance workers like herself to come together to attempt to break the record for ‘the most self-employed people working together (on their own individual projects) in the same place at the same time, over the course of a normal 9-to-5 day’.
Project website -
Artists Anonymous
Artists Anonymous was a support group for Glasgow-based artists co-founded, coordinated and attended by Harrison over the course of two years. It took place every three weeks at the CCA in Glasgow and aimed to provide a ‘safe space for its members to speak candidly, honestly and confidentially to others about the anxieties and stresses of their professional lives’.
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Part-time
Harrison’s exposé of the door-to-door sales racket masterminded by the Cobra Group. Written in 2006 for her blog whist participating in the Part-time project commissioned by Prime, for which she was required to spend four weeks working ‘undercover’ in a low-wage job. (Word count: 3,774)
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Union of Undercover Artists
The Union of Undercover Artists was formed in summer 2006 by Harrison, Elizabeth Kearney and Joanna Spitzner in response to the project Part-time, which they had each been commissioned to take part in. For Part-time the three artists were required to spend four weeks working undercover in low-wage jobs and to make work in response to their experiences. As well as drawing attention to the lack of support or representation for individuals working in the visual arts sector, the Union of Undercover Artists formed one of the artists’ major responses to the Part-time project.
Project website