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"a mischievous, doubtful and provocative rabble-rouser"
- Chris Fite-Wassilak -
"pretentious agitprop"
- The Spectator -
"pushes the boundaries of what conceptual art can be today"
- Somerset House -
"clever-but-accessible"
- The List -
"a critique of the careerist structure of the art system or merely a symptom of it?"
- Moira Jeffrey