• Photo: Thierry Bal

    Life Raft

    Designed as the final hole of Doug Fishbone’s Leisure Land Golf, Lift Raft – a scale map of the UK floating in the adjacent canal – offers a safe haven to immigrant golf balls that can make the treacherous crossing. In a typically playful way, Harrison’s work hints towards a somewhat darker time in the future, when the continued rise in global temperatures creates a vast number of ‘climate refugees’ desperate to escape to more temperate climes.

  • Photo: Chris Park

    After the Revolution, Who Will Clean Up the Mess?

    An installation / event by Ellie Harrison completely contingent on the result of the Referendum on Scottish Independence on 18th September 2014. The four large confetti cannons installed inside Talbot Rice’s Georgian Gallery would only be detonated in the event of a Yes vote.

  • redistribution

    The Redistribution of Wealth

    Installed in Tate Britain’s Historic Collection Room, this piece aims to retell the history of UK government spending on the arts from the birth of the ‘Council for the Encouragement of Music and the Arts’ in 1940, right up to the present day climate of cutbacks.

  • austerity-anarchy02

    Austerity & Anarchy

    An installation which employs a spotlight and smoke machine to visualise and explore the correlation between cuts in public spending and instances of mass rioting on the UK’s streets.

  • Early Warning Signs (2011)

    Early Warning Signs

    Devised as one of Harrion’s contribution to the Two Degrees festival, these four signs, designed to mimic those you might find outside a garage or a Bureau de Change, took up residence along Commercial Street in London. On a mission ‘promote’ climate change, they try hard to grab the attention of passers-by.

  • privatisation1

    A Brief History of Privatisation

    An installation in which the oscillations in UK public service policy over the last century are re-enacted by an inner circle of electric massage chairs under the seedy glow of red, and then blue, neon.

  • Press Release

    Harrison devised this project specifically for the context of the ‘degree show’. For the final three weeks of her Master of Fine Art course at Glasgow School of Art, she made a conscious decision not to make any ‘work’, in favour of instead transforming her studio into a ‘press office’ and attempting to directly solicit the media coverage which many hope will come as a result of this much anticipated show.

  • toytown


    The sister installation to Vending Machine, this piece features a dilapidated 1980s kid’s car ride which starts up and offers people free rides when news relating to the recession makes the headlines on the BBC News RSS feed.

  • vendingmachine

    Vending Machine

    An installation for which an old vending machine is reprogrammed to release snacks only when news relating to the recession makes the headlines on the BBC News RSS feed.

  • financialcrises

    The History of Financial Crises

    An installation in which the turbulent history of capitalism over the last century is re-enacted each day by a row of popcorn making machines.

  • transactions


    Developed to accompany The History of Financial Crises installation – for the duration of exhibition, Harrison sent an SMS message to the phone installed in the gallery every time she made an economic transaction. The Coke can dances with joy every time a message is received.

  • Know Your Thinkers & Theorists

    Not strictly a ‘gallery project’, but more the by-product of a year-long research project for which, as part as her self-improvement programme, Ellie attempted to teach herself an overview of the chronology of Western philosophy and critical theory from 800 BC to the present. She hoped to retain this newly acquired information by designing an easy-to-read, quick reference, colour-coded wall chart for her studio wall, which is also now available to download free in PDF format.

  • Angel Row Jukebox

    An interactive installation commissioned for the closing party of Angel Row Gallery in Nottingham. The Jukebox contained all the UK #1 hits which corresponded with the openings of 254 exhibitions held at the gallery over its lifetime. The audience were asked to punch in the code for the exhibition they first remembered visiting.

  • Photo: Marco Frauchiger


    For almost five years Harrison documented and recorded information about nearly every aspect of her daily routine as part of her artistic practice. These laborious, demanding and introverted processes grew ever more extreme until she devised the ultimate challenge in 2006 for Timelines – to attempt to document everything she did, 24 hours a day, for four weeks.

  • Daily Data Display Room

    For the duration of the Day-to-Day Data exhibition at Danielle Arnaud contemporary art in London, Ellie collected information about 10 elements of her everyday routine. Each morning the results from the previous day were emailed to the gallery and used to reconfigure and adjust the 10 different objects comprising the installation. Over the course of the exhibition, the display aimed to test and visualise an experiment as to whether there was a correlation between different elements of this information.